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This Issue's Opinion
Of Horses - and Art
There is a very large number of artists who specifically concentrate on horses as their subjects.
I don't have any statistics to back this belief, but I only know that most artists contacting me fit that mold.
What is probably needed in the genre of "ars equus", is some concentration on capturing the
American wild horse, in all of its glory and problems.
![]() from Nevada web site The contention bewteen these horses and cattle ranchers is the old one of use of grazing land. Although I believe that there's some validity to both side's arguments, thee's no question, at least in my mind, that the ecomic arguments favor cattle. But the question of overgrazing by horses is one about which I haven't seen a really strong supporting argument. Let's face it - the horse, as great an animal as it may be, like the mule, and ox, just isn't the working partner it once was. But we have to keep the wild horses in good condition. Now that the West "ain't what it used to be", selection and care of the horses is extremely important. One thing is for sure, however, the Mustangs everyone loves helps keep up the myth of the West - the one unique watermark of this country.
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Greg Miller has an excellent story in the June 1-8 issue of the Las Vegas Weekly, in which he writes: "There are 27,369 free-roaming wild horses in the United States. 13,251 of them are in Nevada. In 2004, more than 65,000 domestic horses were slaughtered in the United States for human consumption abroad. From 1971-2004, most American wild horses were protected from slaughter. In 2005, forty-one wild horses were legally slaughtered in DeKalb, Illinois..." continue the abridged story here.
The obverse side of the horse-cattle story can be found at
If you have a comment about these stories, send them to me and your thoughts will be presented in this publication.
And last, but not least, "Public land does not belong to the government, nor to ranchers,
nor to any other special interest group. More than a century has passed since that first wave
of grazing exploitation left the Western environment in shambles. Looking back on those
reckless times, most of us believe things are much different now. The great trail drives and
bloody range wars ended long ago. We rarely hear of cattle rustlers being shot, much less
hanged. The clearest picture most of us have of living livestock these days is the sight of them grazing along rural roadsides.
Many things are indeed much different now." (more on this at
Waste of the West")
Joe Chernicoff, CAPA Exec. Director
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What's New and Continuing
Cholla the Artist:
Leigh Walker:
Janet Griffin-Scott:
Janet's equine art site at cowboyartshow.com features a selection of her "Western" and "Mare and Foal" gicleé
prints.
For general art interest, AbsoluteArts.com is a good
source of information about artists, galleries, and exhibits.
Here's a background image for you... |
A New Cowboy Event for 2006: ![]()
Award Winning Rodeo Photographer Dies
The rodeo world mourns the loss of Sandy Wares, age
82. Sandy passed away on March 13, 2005 in San Diego. Born Oscar Thomas
Wares on May 18, 1923, Sandy is best known as the Official Rodeo
Photographer for the PRCA, IPRA, NPRA and the NSPRA. His dramatic
photographs have appeared in numerous publications such as Rodeo News,
Grit Magazine, The Military Press, and have been used in ads for
Budweiser and Coors Beer, as well as retail products for Equivision.
Sandy was the winner of countless awards including IPRA's "Photo of the
Year" for 4 consecutive seasons. He is survived by his children, Cindy,
Linda, Nancy and Tom. A memorial service washeld at 2 p.m. on
Sunday, June 5, 2005 at the Lakeside Rodeo Grounds in Lakeside, California.
Larry Hammond (aaabs@charter.net) advises that a web site
has been created with information about Wares.
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